The film is worse than misconceived. It's a criminal waste of talent.

~ Angus Wolfe Murray -

The film is worse than misconceived. It's a criminal waste of talent.

~ Angus Wolfe Murray -

Perry overplays the scared innocent to the point of no return, while Willis coasts in his support role.

~ Angus Wolfe Murray -

Perry overplays the scared innocent to the point of no return, while Willis coasts in his support role.

~ Angus Wolfe Murray -

The most compelling aspect of the film is it's sheer physicality.

~ Amber Wilkinson -

The most compelling aspect of the film is it's sheer physicality.

~ Amber Wilkinson -

The acting is good - particularly from Eckhart and Teller - but director John Cameron Mitchell never quite finds a way to reach beyond the boundaries of its original stage work.

~ Amber Wilkinson -

The acting is good - particularly from Eckhart and Teller - but director John Cameron Mitchell never quite finds a way to reach beyond the boundaries of its original stage work.

~ Amber Wilkinson -

A stark portrayal of lust, jealousy and raw hunger.

~ Anton Bitel -

A stark portrayal of lust, jealousy and raw hunger.

~ Anton Bitel -

In the end, the film succeeds not so much because of its thriller elements as because it’s an interesting character piece.

~ Jennie Kermode -

In the end, the film succeeds not so much because of its thriller elements as because it’s an interesting character piece.

~ Jennie Kermode -

Its reach doesn’t quite meet its stretch, but there are very good reasons why you should watch it anyway.

~ Chris -

Its reach doesn’t quite meet its stretch, but there are very good reasons why you should watch it anyway.

~ Chris -

To enjoy this kind of adventure, you have to get lost in Guy Maddin's house, because he has made a ghost of a film - 'but a ghost isn't nothing.'

~ Anne-Katrin Titze -

To enjoy this kind of adventure, you have to get lost in Guy Maddin's house, because he has made a ghost of a film - 'but a ghost isn't nothing.'

~ Anne-Katrin Titze -

Perhaps everything doesn't quite stack up into a neat narrative but as a film that explores the frosty hinterland between sociopathy and more simple teenage boredom it follows through.

~ Amber Wilkinson -

Perhaps everything doesn't quite stack up into a neat narrative but as a film that explores the frosty hinterland between sociopathy and more simple teenage boredom it follows through.

~ Amber Wilkinson -

While some of the testimony, from the likes of Steve Earle and Mos Def is powerful, many of the parallels Francome and Evans attempt to draw feel slightly spurious and their conclusions lack sufficient back up.

~ Amber Wilkinson -

While some of the testimony, from the likes of Steve Earle and Mos Def is powerful, many of the parallels Francome and Evans attempt to draw feel slightly spurious and their conclusions lack sufficient back up.

~ Amber Wilkinson -

What on earth Weaver thinks she's doing in such a tangled mess is difficult to understand.

~ Angus Wolfe Murray -

What on earth Weaver thinks she's doing in such a tangled mess is difficult to understand.

~ Angus Wolfe Murray -

Despite being rather on the nose in terms of his plot beats, del Paso has an eye for a strong image and a psychological feel for the insidious viewpoint of the adults, washing over the children like a bad benediction.

~ Amber Wilkinson -

Despite being rather on the nose in terms of his plot beats, del Paso has an eye for a strong image and a psychological feel for the insidious viewpoint of the adults, washing over the children like a bad benediction.

~ Amber Wilkinson -

The signposts are misleading. This is an intelligent thriller.

~ Angus Wolfe Murray -

The signposts are misleading. This is an intelligent thriller.

~ Angus Wolfe Murray -

Too silly to be upsetting, too well crafted to be dismissed, Hell Hole strikes just the right balance and does a great job of sustaining it throughout.

~ Jennie Kermode -

Too silly to be upsetting, too well crafted to be dismissed, Hell Hole strikes just the right balance and does a great job of sustaining it throughout.

~ Jennie Kermode -

An evocative mood-piece, strikingly photographed.

~ Scott Macdonald -

An evocative mood-piece, strikingly photographed.

~ Scott Macdonald -

The space between the drips is just long enough for you to hear the breath of fear.

~ Amber Wilkinson -

The space between the drips is just long enough for you to hear the breath of fear.

~ Amber Wilkinson -

Kate Dickie is amazing.

~ Andrew Robertson -

Kate Dickie is amazing.

~ Andrew Robertson -

This isn't easy material for cinema to reckon with.

~ Jennie Kermode -

This isn't easy material for cinema to reckon with.

~ Jennie Kermode -

Lazarus and co-writer Dorothee Levesque keep things minimal.

~ Andrew Robertson -

Lazarus and co-writer Dorothee Levesque keep things minimal.

~ Andrew Robertson -

A film that represents a transgressive broadside against every value held dear in Bollywood.

~ Anton Bitel -

A film that represents a transgressive broadside against every value held dear in Bollywood.

~ Anton Bitel -